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EIU Department of Communication Studies

Faculty and Staff Listing

David Gracon Ph.D., Associate Professor

Office: 1240 - Coleman Hall
Phone: 217-581-2016 (messages)
Fax: 217-581-5718
Email: dgracon@eiu.edu

David Gracon Ph.D.'s Vita

Note: For the fall 2017 and spring/summer 2018 semesters I will be a Fulbright Scholar (on sabbatical) teaching media studies at Lviv University in Ukraine.  I will return to EIU for the fall 2018 semester. 

My research and teaching interests include critical cultural studies (film studies, media literacy, documentary analysis, alternative media, visual communication, media/music based subcultures, DIY cultural production),
the political economy of communication and digital video, documentary (including expanded/experimental documentary) and experimental media production.  I am dedicated to the integration of critical studies, interdisciplinary knowledge and creative media production.

 

I completed my Ph.D. in “Communication and Society” at the University of Oregon in the fall of 2010. I finished my first feature length documentary video titled: Walls of Sound: A Look Inside The House of Records (63 min, 2012, Microcosm Publishing).  The video is a collection of oral histories regarding the House of Records, an independent record store based in Eugene, Oregon (http://houseofrecords.wordpress.com/).  I took this film on a tour of the Pacific Northwest in October, 2012.   I am currently working on a DVD retrospective program "Amateur Versus Professional — Experimental Film and Video works 1997-2017.”  I recently completed the Ordinary Video Series, a 2013-2016 collection of short observational documentaries exploring the intersection of nature, media and socially constructed spaces shot entirely on my Smartphone.  My film and video works have been screened widely at venues such as the Chicago Underground Film Festival, Seattle Underground Film Festival, New Art Film Festival (Champaign) and the Centro Mexicano para la Música y Artes Sonoras (Mexican Centre for Music and Sonic Art; CMMAS by its initials in Spanish) and many others. I have also been a participant of the Robert Flaherty Documentary Film Seminar (Colgate University) and the Oberhausen Film Seminar (Oberhausen, Germany) and run/program film/media/art events at Hallways Microcinema in Champaign, Illinois.  In September 2016, I programmed the films of Tony Conrad for the Basilica Soundscape in Hudson, NY. 
 
I have international teaching experience.  I was a participant of the JET Program (Japanese Exchange and Teaching) and taught English in China, Poland and Lithuania via Bridges for Education, a non-profit organization based in Buffalo, NY.  I was also a volunteer builder in Rabinal, Guatemala with Habitat for Humanity during the summer of 2014. 

I’m a native of Buffalo, NY and have been invested in post-punk, indie, experimental music scenes, zine communities and college radio; as well as activist orientated experimental film, video and documentary communities and collectives since the mid 90’s.

 

I was the recipient of the 2011-2012 Michael R. Hoadley Instructional Technology Award (for the innovative use of technology in the classroom). 

For more detailed information download my CV from this page.



Current Syllabi

Frequently Taught Courses

Undergraduate: CMN 2575 Field Production, CMN 4500 Documentary Production, CMN 3500 New Media Practices, CMN 4770 Television Criticism, CMN 4030 Alternative Media, CMN 3570 History of Documentary Film, FLM 3759 History of Cinema, CMN 4780 Communication and Culture, CMN 3270 Communication and Popular Culture, EIU 4174 Documentary Film and Society, CMN 3530 Film Communication.

Graduate: CMN 5160 Seminar in Mass Media: "Media, Commodity and Spectacle", CMN 5610 Media Criticism, CMN 5160 Seminar in Mass Media: "Alternative Media," CMN 5030 Methods of Critical Inquiry, CMN 5040 Graduate Research Methods.

Education

Ph.D, University of Oregon, Eugene, Oregon.  Communication and Society.  The School of Journalism and Communication.  September 2010. Dissertation Title: Exiled Records and Over-the-Counter-Culture — A Cultural Political Economic Analysis of the Independent Record Store. 

M.A, University at Buffalo, The State University of New York (SUNY).  Humanities (the merging of Media Studies (experimental media/documentary video) and Sociology (Critical theory).  September 2001. Thesis Title: Imperial Tourism: Documentary Video (29 min) and a discursive component: A Critical Discussion of Subjectivity, Representation and Experimental Ethnography.

B.A, University at Buffalo, The State University of New York (SUNY).  Double major in Sociology and Media Studies (Documentary video/experimental media).  May 1999.

Professional Organizations

Fulbright Scholar Program, US Government
Society for Cinema and Media Studies (SCMS)
American Culture Association/Popular Culture Association (ACA/PCA)
Union for Democratic Communication (UDC)
Allied Media Conference
Urbana-Champaign Independent Media Center
The Art Theater Co-Op (Champaign)
Squeaky Wheel, Buffalo Media Resources

Research

The political economy of media, critical cultural studies, alternative media, media subcultures, DIY/radical media, new media, visual studies, documentary video, experimental media and digital video production.

Link to Walls of Sound — A Look Inside the House of Records trailer: http://www.youtube.com/watch?v=3L_YoaQLoZk

Selected Publications

Gracon, D. (2017 in progress).  Natural’s Not In It: The Transformative Impact of Punk, DIY Media and Critical Pedagogy in Andrew Wood's (Ed.) Punk Beyond Rock: Essays on the Continuing Influence of a Radical Cultural Scene, PM Press.


Gracon, D. (2017 in progress). Through Being Cool: The Political Economy of iTunes in Randy Nichol’s and Gabriela Martinez’s (Eds.) in Profit, Power, and Paucity: Janet Wasko and the Political Economy of Communication, press TBA (In Press).

Perini, J. & Gracon, D.(2013)  Tough Stuff from the Buff in Miriam Paeslack's (Ed.) Ineffably Urban: Imaging Buffalo, Ashgate Publishing. 


Gracon, D. (2009) The Independent Record Store as a Site of Cultural Resistance and Anti-McDonaldization — A Case Study of The House of Records in Robert C. Sickels (Ed.) The Business of Entertainment: Popular Music, Volume 2. Praeger Publishers. 

Selected Conference Presentations

Smartphone Video, Experimental Documentary and the Ordinary Video Series.  What is Media Conference?  University of Oregon.  Portland, Oregon.  April 2016.

Amateur Versus Professional: Experimental and Documentary Film and Video Works by David Gracon 1997-2015National American Culture Association/Popular Culture Association, Seattle, Washington.  March 2016.  
              

Punk Space: The Influence of Punk and the DIY Spirit of Hallways MicrocinemaNational American Culture Association/Popular Culture Association, New Orleans, Louisiana.  April 2015.  

See my CV for a complete listing of conference presentations.

 



Community

1. Walls of Sound — A Look Inside the House of Records Fall 2012 Pacific Northwest Film Tour:

http://projects.registerguard.com/web/entertainment/28835977-41/film-gracon-records-vinyl-music.html.csp

EIU 360: http://www.eiu.edu/eiu360/story.php?id=57038

2. Co-Curator of the Tuff Stuff From the Buff Film and Video Bicycle Tour:

 http://tuffstuffbuff.wordpress.com/

3. Social Docs! Screening Series:

http://www.dailyeasternnews.com/2015/11/03/film-festivals-to-look-at-social-issues/

4. Cut and Paste Zine Symposium:
http://www.dailyeasternnews.com/2014/03/05/students-%e2%80%98cut-and-paste%e2%80%99-during-zine-symposium-learn-importance-of-self-publishing/

5. Tony Conrad: Completely in the Present Screening/Hallways Microcinema:

http://www.smilepolitely.com/splog/tony_conrad_completely_in_the_present_screening_happening_april_9th/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Contact Information

Department of Communication Studies

Coleman Hall 1260
600 Lincoln Ave Charleston, IL 61920
217-581-2016
Fax: 217-581-5718
commstudies@eiu.edu


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