Judith Pender - artist residency
February 28 - March 1, 2014
Friday, February 28
1:30 - 2:00 Chairman Mao’s exercises for the Chinese people –
a favorite total body warm-up
2:00 – 4:00 Acting Workshop, “Staying in the Moment”
Workshop on staying in the moment. A script analysis technique that helps with focus as well as the correct delivery of replies. Followed by technical exercises addressing the application of tactical choices in pursuit of your objective.
Saturday, March 1
10:00 – noon Director/Designer collaboration and
Note: Dr. Pender is willing to continue for individual
Judith Midyett Pender is a Professor of acting, directing, and theatre history in the Peggy Dow Helmerich School of Drama at the University of Oklahoma. She also serves the School of Drama as Performance Area Coordinator. She holds a BFA in Theatre and Interpretation from Missouri State University, and MFA in Acting and Directing and a PhD in Theatre History, Theory, and Criticism from the University of Georgia. While living and working in New York, she trained in the Meisner Technique. She is a member of Actors’ Equity Association, Screen Actors’ Guild, the American Federation of Television and Radio Artists, and the Society of Stage Directors and Choreographers and has studied stage combat with the Society of American Fight Directors. Recent acting work includes Joyce in the feature film, Just Crazy Enough, starring Chris Kattan,; Mrs. Bennett in the film, The Art of Kissing; Dr. Glasscock in four episodes of the web series, FPU; and Dawn in the web series, Shambles, scheduled for release in August. As AEA Guest Artist she played Madame Desmortes in Ring ‘Round the Moon at Oklahoma Shakespeare in the Park, at St. Gregory’s University, she played Beatrice in The Effect of Gamma Rays on Man-in-the-Moon Marigolds; and at OU, Ouiser in Steel Magnolias. In the last two years, she has had the pleasure of directing world premiere plays under the auspices of the Faith Broome Playwright in Residence Program, and she directed Middletown, by Will Eno last fall. Her book, ACTING: What to Do, was published in 2011 and has been adopted by colleges and universities across the country. She and her husband, Dr. Thomas Pender, are the proud parents of OCCC freshman, Sam, who is studying film. Boomer Sooner!
Playwright-Director Elizabeth Wong,
January 29-February 1, 2014
Chris Wixsom, Dean Bonnie Irwin, Elizabeth Wong, Lania McKnight, J. Kevin Doolen
January 29 - February 1, 2014
Wednesday, Jan. 29 -
Thursday, Jan. 30 -
6:30 pm Public Address, Doudna Lecture Hall
Address on career as a creative writer in theatre,
film, television. Work includes both playwriting
of award-winning adult plays and children's plays,
as well as screenwriting. Wong is a nationally
renowned director and playwright.
Friday, Jan. 31 -
Saturday, Feb. 1 -
9:30-noon Playwriting workshop, Doudna Movement
Studio. Interested students from Theatre and
English should e-mail firstname.lastname@example.org to be
placed on the list to participate. This workshop
will serve both the novice and more seasoned
writers seeking some new tools and inspiration.
Elizabeth Wong, Los Angeles, CA, (playwright, theatre director), is known for her unique blend of comedy and social satire. She is also considered one of the foremost writers of plays for young audiences. She is a recipient of the Tanne Foundation Award for artistic achievement and she recently received a commendation from the City of Los Angeles for her themes on human rights. Her plays include Letters to a Student Revolutionary, China Doll, and Kimchee & Chitlins. As a playwright, she’s been commissioned by Dramatic Publishing Company (Does My Head Look Big in This); the Kennedy Center for the Performing Arts (The Happy Prince: The Musical; The Happy Prince), Denver Center Theatre (Prometheus, Amazing Adventures of the Marvelous Monkey King, Goloshes of Fortune), Honolulu Theatre for Youth (The Magic Bird: A Filipino Folktail), Cincinnati Playhouse (Boid & Oskar), Theatre Emory (Dating & Mating in Modern Times), Silk Road Rising (Finding Your Inner Zulu), Actors Theatre of Louisville (Badass of the RIP Eternal), to name a few. As a director, she’s helmed her award-winning Off-Broadway play Letters to a Student Revolutionary at the SUNY-Albany Performing Arts Center at the invitation of Director JKevin Doolen. She also coproduced Letters to a Student Revolutionary at the Center for the Preservation of Democracy in Los Angeles to benefit Amnesty International, and to commemorate the anniversary of the Tiananmen Square massacre. Wong recently directed Moliere’s classic comedy Tartuffe at the Alice Austen Theatre in New York when she was the artist-in-residence at SUNY Geneseo earlier this year. Wong was a Disney Writing Fellow and a staff writer for the ground-breaking ABC sitcom All-American Girl starring Margaret Cho and she was a writing intern at the CBS soap Young & the Restless. She’s been a guest artist at the New York State Writers’ Institute, and an inaugural artist-in-residence at the Ecole Cantonale d’art du Valle, Sierre, Switzerland. Last year, she was an invited speaker at Harvard University to discuss social unrest and her play Kimchee & Chitlins at a symposium on the 20th anniversary of the L.A. riots; and she was nominated to The Hermitage Artist Retreat where she is currently in residence. She’s excited to be working on a new play about FDR and his Secretary of Labor Frances Perkins, America’s first woman cabinet member. She’s also adapting for the stage Jervey Tervalon’s best-selling novel Dead Above Ground; and the memoir Traitor? By Terry Holdbrook Jr, about one soldiers’ experiences at Guantanano Bay prison, for First Flight Entertainment. She is a proud member of PEN, the Dramatist Guild, and Writers Guild West. (as of September 2013)
November 14, 3:00 pm - Movement Studio
Q and A session with singer, author, and actress of both stage and screen.